Tine Bech Studio merges art with the digital language of technology to create stunning visual projects that invite wonder, physical interaction and social exchange.

We create artworks that consider culture, audience interaction, and physical space

Tine Bech Studio merges art with the digital language of technology to create stunning visual projects that invite wonder, physical interaction and social exchange.

We create artworks that consider culture, audience interaction, and physical space

Our work fits public spaces, museums and galleries, light festivals, business places, private sector workspaces, and private homes.

Our projects has been presented in numerous museums and venues, as well as many other public sites and contexts, both in the UK and internationally

Our work fits public spaces, museums and galleries, light festivals, business places, private sector workspaces, and private homes.

Our projects has been presented in numerous museums and venues, as well as many other public sites and contexts, both in the UK and internationally

We connect and activate people and places – our project can reaches up to 80.000 interactions by audiences over two weeks.

We create encounters that connect, intrigue and inspire us.

We connect and activate people and places – our project can reaches up to 80.000 interactions by audiences over two weeks.

We create encounters that connect, intrigue and inspire us.

Tine Bech Studio believes culture creates communities that art is for anyone and that art belongs everywhere.

We use innovative technology, ethnographic research, and play and game theories to engage people with each other, with places and objects.

Tine Bech Studio believes culture creates communities that art is for anyone and that art belongs everywhere.

We use innovative technology, ethnographic research, and play and game theories to engage people with each other, with places and objects.

Tine is a leading light in a new wave of artists whose currency is experience, shared and celebrated. She has the potential to create experiences where participation, interaction and sharing have impacts on people and places that revitalize civic life.

– Professor Jonathan Dovey

Tine is a leading light in a new wave of artists whose currency is experience, shared and celebrated. She has the potential to create experiences where participation, interaction and sharing have impacts on people and places that revitalize civic life.

– Professor Jonathan Dovey

Tine Bech Studio actively explores the relationship between people, technology and physical space.

We develop interactive artworks with robust interfaces, which visitors can understand intuitively, enabling them to develop confidence and become fully engaged.

Tine Bech Studio actively explores the relationship between people, technology and physical space.

We develop interactive artworks with robust interfaces, which visitors can understand intuitively, enabling them to develop confidence and become fully engaged.

We Believe was a breathtakingly beautiful experience and a profound artistic exploration of our attitudes to the city’s public spaces.

-Jacob Bundsgaard, Mayor of Aarhus Municipality

We Believe was a breathtakingly beautiful experience and a profound artistic exploration of our attitudes to the city’s public spaces.

-Jacob Bundsgaard, Mayor of Aarhus Municipality

We develop big ideas that transform public spaces.

We show how the public realm can be successfully activated. Transforming buildings, bridges, rivers, gardens, and transport systems into opportunities for participation, curiosity and communication.

We develop big ideas that transform public spaces.

We show how the public realm can be successfully activated. Transforming buildings, bridges, rivers, gardens, and transport systems into opportunities for participation, curiosity and communication.

We create unique experiences for people, using our behaviours and social abilities with interactive art, technology and the materials around us“, says Bech, who has developed a model for creating a new type of interactive art, placing the audience’s experience at its centre. “I think art is actually a collective, quite a social, experience”, she adds.

We create unique experiences for people, using our behaviours and social abilities with interactive art, technology and the materials around us“, says Bech, who has developed a model for creating a new type of interactive art, placing the audience’s experience at its centre. “I think art is actually a collective, quite a social, experience”, she adds.

I think the world’s public spaces need more of your playful social interaction, especially at this time in history when people seem so divided.

– Interaction Magazine, SIGGRAPH Art Gallery 2016

I think the world’s public spaces need more of your playful social interaction, especially at this time in history when people seem so divided.

– Interaction Magazine, SIGGRAPH Art Gallery 2016

The We Believe project was one of the most popular works during the European Capital of Culture, Aarhus 2017. It was seen from afar by over 150,000 people and lots of people talked about it on social media.

– Annette Damgaard curator and director, The Association Hidden Places

We Believe project was one of the most popular projects during the European Capital of Culture, Aarhus 2017 – it was seen from afar by over 150,000 people and lots of people talked about it on both social media

– Annette Damgaard curator and director, The Association Hidden Places

Tine is a multidisciplinary artist with a PhD on the subject of play. She creates innovative, interactive art, and designs playful and eloquent artworks in the public realm and for galleries and museums.

Tine is a multidisciplinary artist with a PhD on the subject of play. She creates innovative, interactive art, and designs extraordinary, playful and meaningful artworks in the public realm and galleries. Tines work is are created in the Tine Bech Studio in London, where she collaborates with programmers, electronic engineers, fabricators and architects, to create projects that place the human experience at the centre of our interactions with place, history and technology.

Thank you so much for your stunning work at Reykjavik City Hall. Its fantastic, people love it, so do I. Its a major hit in the city and we are so proud to have had you here

-Ingi Thor Jónsson, Reykjavík City Hall

Thank you so much for your stunning work at Reykjavik City Hall. Its fantastic, people love it, so do I. Its a major hit in the city and we are so proud to have had you here

-Ingi Thor Jónsson, Reykjavík City Hall

I believe that play is important to society as a whole; it is part of our social fabric and lies at the core of many social bonds. I don’t define play as being only for children. I view play culturally and as part of adaptation. Our own evolution and survival as a species shows the centrality of play” says Bech.

I believe that play is important to society as a whole; it is part of our social fabric and lies at the core of many social bonds. I don’t define play as being only for children. I view play culturally and as part of adaptation. Our own evolution and survival as a species shows the centrality of play” says Bech.

See some of the projects we made. There are many more and lots coming up